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不安

英格丽ยท褒曼,马蒂亚斯ยท维曼,雷娜特ยท曼哈特

ๅนดไปฝ
1954
ๅœฐๅŒบ
其它
่ฏญ่จ€
其它
ๅฏผๆผ”
罗伯托ยท罗西里尼
้€‰้›†
SYNOPSIS

ๆ•…ไบ‹ๆข—ๆฆ‚

Whenever $ ๐Ÿ˜ƒI see La Pa๐Ÿ˜€๐Ÿ™„๐Ÿ˜ur@๐Ÿคญa I think of(๐Ÿคค# it๐Ÿค’๐Ÿคญ as a companion๐Ÿ˜ _piece to ๐Ÿ˜E๐Ÿ˜‹๐Ÿคฃ๐Ÿ˜†๐Ÿ˜’yes Wide :๐Ÿคฃ%$S๐Ÿฅฐ๐Ÿ˜ดhut, or maybe i๐Ÿ˜ช$t is th$e other way aro๐Ÿ˜š,(๐Ÿคซund๐Ÿค๐Ÿ˜. Adult๐Ÿ˜†]๐Ÿ˜›ery mak_๐Ÿ˜๐Ÿ˜๐Ÿ˜ƒes both ๐Ÿ˜˜๐Ÿคฎfilms tick ๐Ÿ˜Œ๐Ÿ˜‡bu]๐Ÿ˜๐Ÿค•๐Ÿ˜ดt in diffe๐Ÿคฉ๐Ÿ˜†๐Ÿ˜†๐Ÿค‘r$_๐Ÿ˜”`ent:๐Ÿ˜ท ๐Ÿ˜ดways๐Ÿคญ`\๐Ÿ˜œ . I think?๐Ÿค— P๐Ÿคฅ h๐Ÿ˜@๐Ÿ˜ถ๐Ÿคญi๐Ÿ˜‘@๐Ÿคฉllip Frenc๐Ÿ˜‘h was right on -๐Ÿ˜ท๐Ÿคฉ๐Ÿ™ƒ;the๐Ÿ˜ฌ๐Ÿ˜‡, mon๐Ÿ˜ƒ๐Ÿ˜™ey when he ]๐Ÿค•poi๐Ÿค‘[nted ๐Ÿคข%๐Ÿคฉout๐Ÿค๐Ÿคฉ๐Ÿ˜ด a Wi๐Ÿ˜œ๐Ÿ˜‘z)๐Ÿ˜œ๐Ÿ˜Œard of Oz th_๐Ÿ˜”๐Ÿ˜—ing ๐Ÿค:๐Ÿคฉin Kub๐Ÿค•๐Ÿคข๐Ÿ˜‰๐Ÿ˜Šrick's l๐Ÿคฃ๐Ÿ˜ด_ast work๐Ÿคซ๐Ÿ˜ช. Like Doro๐Ÿ˜ท๐Ÿ˜‚thy, Tom and Nicole g๐Ÿ˜๐Ÿ˜ฌ๐Ÿคคo t@hr๐Ÿคซ๐Ÿ˜๐Ÿ˜™ou๐Ÿ˜™\gh fantasies ๐Ÿ˜‚๐Ÿ˜an ๐Ÿ˜ท๐Ÿ™„๐Ÿค‘d night๐Ÿ˜‡๐Ÿ˜˜๐Ÿ˜ฌ=mares and at the end Doroth ๐Ÿ˜œy's re๐Ÿคซ๐Ÿ˜ดassu=๐Ÿ˜๐Ÿ˜”ring [๐Ÿ˜‹childish m`๐Ÿ˜”๐Ÿ˜‰otto th๐Ÿ˜ช\er๐Ÿ˜†๐Ÿ˜‘๐Ÿ˜™e๐Ÿ˜’'s no๐Ÿคฉ place๐Ÿคฅ. li๐Ÿค”๐Ÿ˜‚k๐Ÿ™‚e home๐Ÿค‘๐Ÿ˜‹๐Ÿฅฐ? i๐Ÿ˜ทs ironicall๐Ÿ˜ท๐Ÿ˜‘๐Ÿ˜†๐Ÿ˜…y updated ๐Ÿ˜˜to the ๐Ÿค—$ adult circums?+๐Ÿคฃta]๐Ÿ™ƒ๐Ÿ˜›+n๐Ÿคคti#๐Ÿคฉal adage t^๐Ÿคฉhere's )๐Ÿค‘`no ?๐Ÿค•๐Ÿ˜ถsex like ma๐Ÿ˜†๐Ÿคขri๐Ÿ˜™๐Ÿฅฐtal s๐Ÿ˜ด๐Ÿ˜‡e@๐Ÿฅฐ๐Ÿคคx.๐Ÿ˜‹ Kubr]๐Ÿ˜#๐Ÿ˜”ick๐Ÿ˜@๐Ÿค‘'s take i๐Ÿคฃ,๐Ÿ˜=s in๐Ÿ˜ช๐Ÿ˜˜๐Ÿ˜‚๐Ÿ˜’te๐Ÿค‘! l๐Ÿคค๐Ÿ˜˜๐Ÿ˜ชlectual, he#^ ๐Ÿ˜ƒ never le==?๐Ÿ˜™๐Ÿ˜…aves the (!๐Ÿ˜Šwor]!๐Ÿ˜€ld o๐Ÿ™‚-f ide๐Ÿ˜๐Ÿคค๐Ÿ˜๐Ÿคซ๐Ÿ˜ชas t๐Ÿคฅ]o ๐Ÿ˜touch the ground. He ta๐Ÿ˜€๐Ÿคญ? unts the audi๐Ÿค—๐Ÿคซ๐Ÿ˜™e๐Ÿค”๐Ÿ˜Šnce fi,๐Ÿคฉ๐Ÿคซrst with an ero๐Ÿ˜ƒ๐Ÿ˜ถtic movie an๐Ÿ˜๐Ÿ˜ƒd then with๐Ÿ˜Œ๐Ÿ˜› a thrill๐Ÿ˜„er ๐Ÿ˜ด @^๐Ÿ˜ฌand r๐Ÿ˜…ef/+๐Ÿคจ๐Ÿคฎuse@๐Ÿ˜ถ๐Ÿค•s to [deliver either o๐Ÿ˜™]f them.๐Ÿคข H๐Ÿ™ƒ๐Ÿค”*,e was marri ๐Ÿค•ed t๐Ÿ˜ท$๐Ÿ™ƒo his th#๐Ÿ™‚ir!: ๐Ÿคขd w#๐Ÿ˜„๐Ÿ˜„ife f๐Ÿ™„๐Ÿ˜or 40 years๐Ÿ˜‘๐Ÿค—, [๐Ÿ˜‡un๐Ÿคฅ๐Ÿ˜„/til h๐Ÿ˜ด๐Ÿ™„e+ die@๐Ÿ˜d. Rossell๐Ÿ˜‹(๐Ÿ˜ƒ@ini wa@#๐Ÿ˜‚s still ma๐Ÿ˜Œ r ried t๐Ÿ˜-o Ingri๐Ÿคขd Bergman ๐Ÿ˜œ๐Ÿ˜œ๐Ÿ˜?๐Ÿ˜”when-: he ๐Ÿคฉ/๐Ÿ˜Š#directed La Pau๐Ÿ˜†๐Ÿ˜๐Ÿ˜€ra; they had b๐Ÿ˜†๐Ÿ™ƒ๐Ÿ˜…๐Ÿ˜šeen adult๐Ÿ˜†erous _๐Ÿ˜‹lovers and th๐Ÿ˜๐Ÿค•eir infid๐Ÿ˜ช๐Ÿค‘.elity wid *ely criticized L๐Ÿ˜…^a Paur๐Ÿ˜…a is a tale, =๐Ÿค”๐Ÿ˜ช๐Ÿ˜๐Ÿคซa noirish =`one. T๐Ÿ˜†๐Ÿ˜he noir๐Ÿ˜ด๐Ÿ˜€ intrigue is solv[๐Ÿค”ed and t๐Ÿ˜’he t๐Ÿ˜ถ[=+ale has a happy_ ๐Ÿ˜ท๐Ÿ˜—ending. The c(`๐Ÿ˜๐Ÿ™‚ity is noir; th#๐Ÿค—๐Ÿค—@e coun๐Ÿคญ )tr๐Ÿค•๐Ÿคชy ๐Ÿ˜i๐Ÿคช๐Ÿ™„๐Ÿค—๐Ÿ˜…^s tale๐Ÿค‘!๐Ÿ˜‰๐Ÿ˜],๐Ÿ˜๐Ÿค—๐Ÿค the terri +tory where childhood is possi๐Ÿค”๐Ÿคble. ๐Ÿ˜ฌ]The transi๐Ÿ˜†๐Ÿ˜„ t#ion i๐Ÿ˜‡๐Ÿ˜Š๐Ÿ˜s\๐Ÿ˜‡ oper)๐Ÿค•ate๐Ÿคชd in the !๐Ÿ˜‡๐Ÿ˜Œ๐Ÿ˜Œmost re๐Ÿค’๐Ÿ˜’gular way b๐Ÿ˜˜y c๐Ÿคฃ๐Ÿ˜š.๐Ÿค• a๐Ÿค)]๐Ÿ™‚r, a ๐Ÿ˜‘๐Ÿ˜long-๐Ÿ˜Š ;he๐Ÿฅฐ๐Ÿ˜‚๐Ÿ˜ld sh ;ot taken from ๐Ÿค!)the fr)(o๐Ÿคฅ๐Ÿ˜nt of th*๐Ÿ˜š๐Ÿ˜œe ca๐Ÿคจ๐Ÿคญ๐Ÿ˜‹r a๐Ÿ˜ƒ๐Ÿ˜,s it ride๐Ÿคข๐Ÿ˜…๐Ÿ˜˜s into t๐Ÿ˜œ๐Ÿ™‚+he ro๐Ÿ˜ช๐Ÿ˜๐Ÿ™„a_๐Ÿคฃd, as _๐Ÿคค๐Ÿ˜‘๐Ÿ™‚if๐Ÿคข we were en๐Ÿคชtering a diffe๐Ÿ˜‘(๐Ÿ˜)re๐Ÿ˜œ nt dimension. Irene (Be/๐Ÿ˜‘rg๐Ÿ˜‚\man) starts_๐Ÿ™‚๐Ÿ˜Š the movie we just ๐Ÿ˜ƒ)๐Ÿ˜;see a +dark city-๐Ÿ˜‹๐Ÿค‘ lan๐Ÿ˜‡๐Ÿคซdscape ๐Ÿคจ๐Ÿค”bu๐Ÿคญ๐Ÿ˜…t๐Ÿคซ๐Ÿคญ her๐Ÿ˜Š๐Ÿ˜… voice-over n๐Ÿ˜arrati)on tel๐Ÿคจ]ls _=us๐Ÿ™ƒ? of๐Ÿคญ๐Ÿ˜ช๐Ÿ˜๐Ÿคจ( her angst๐Ÿ˜๐Ÿคข and๐Ÿค‘/ inf๐Ÿคฃ$๐Ÿค”orms us that the sto๐Ÿคค\*ry ๐Ÿ˜ฌ๐Ÿคคis a ๐Ÿ˜”?๐Ÿ˜Œfl๐Ÿ˜๐Ÿคฎ๐Ÿค•ashba๐Ÿ˜†๐Ÿ˜”๐Ÿ˜—:ck, hers. ;๐Ÿ˜…Berg๐Ÿคค๐Ÿ˜š๐Ÿ˜—$m๐Ÿคช๐Ÿ˜an's b)_๐Ÿ˜‰(een cheating on her husband๐Ÿ˜๐Ÿ˜…\๐Ÿ™ƒ. A๐Ÿ˜*t first gu๐Ÿ˜…๐Ÿ˜—\ilt is just psycho๐Ÿคจ๐Ÿ˜ดlogical tortur๐Ÿ˜e but soo?๐Ÿ˜ฌ๐Ÿ˜’n expands int๐Ÿคซ๐Ÿคค๐Ÿค”_o ๐Ÿ˜ช๐Ÿ˜๐Ÿ˜™๐Ÿคฃecono๐Ÿ˜š๐Ÿ˜ช๐Ÿ˜Œmic๐Ÿ˜…๐Ÿ˜‹๐Ÿ˜ท๐Ÿคฅ blackmail and th๐Ÿ˜๐Ÿ™ƒe๐Ÿคฃn g๐Ÿ˜”๐Ÿคญ?rows ๐Ÿ˜ท๐Ÿคinto somet๐Ÿคฅ๐Ÿ˜ดhin๐Ÿค‘๐Ÿค‘๐Ÿ˜œ]๐Ÿ˜Œg else. From beginning๐Ÿ˜™๐Ÿคช๐Ÿ˜” ๐Ÿ™‚๐Ÿ™‚๐Ÿ˜ถto end the movie_ focuses on ๐Ÿค’๐Ÿ˜†๐Ÿฅฐ^what \๐Ÿ˜๐Ÿ˜™๐Ÿค”Bergman feels,๐Ÿ˜’$๐Ÿ˜š every o!๐Ÿ˜,#๐Ÿคฎther ch๐Ÿ˜’aracter +is th๐Ÿ˜„_๐Ÿ˜‰๐Ÿ˜™e๐Ÿ˜‡๐Ÿค—re to mak๐Ÿ˜…๐Ÿ˜e ๐Ÿ™‚๐Ÿคฃhe๐Ÿ˜ช;(r feel something. Onl๐Ÿ˜ช$y ๐Ÿค‘๐Ÿ˜w$๐Ÿค—hen the direc*to๐Ÿ˜”๐Ÿ˜ท๐Ÿ˜r gives๐Ÿคซ๐Ÿ˜˜ away๐Ÿคซ๐Ÿ˜€๐Ÿคจ the plo๐Ÿ˜˜ ๐Ÿ˜—๐Ÿ˜ถt ๐Ÿ˜๐Ÿฅฐ๐Ÿค”before the ;๐Ÿ˜‡main ch.๐Ÿ˜ถ๐Ÿค’aract๐Ÿ˜‡๐Ÿ˜Še ๐Ÿ˜‘r can๐Ÿ˜‚๐Ÿ˜ƒ๐Ÿ˜›๐Ÿคฉ find out $๐Ÿ˜—d]*oes he๐Ÿ˜’!@ ๐Ÿ˜want us to๐Ÿ˜ด f๐Ÿ™„eel som๐Ÿ˜ท[๐Ÿค—๐Ÿ˜˜ethin ๐Ÿ˜ฌ$g Bergman ๐Ÿ˜— stil๐Ÿ˜๐Ÿ˜ฌ๐Ÿ˜™ l.๐Ÿ˜ช ๐Ÿฅฐcan't. Whe๐Ÿ˜—๐Ÿ˜‹๐Ÿ˜ฌ%n๐Ÿ˜๐Ÿคจ she fin๐Ÿ˜๐Ÿคฉ๐Ÿคคds out,๐Ÿ˜ช๐Ÿ˜’ w-e h๐Ÿ˜ถ๐Ÿคซ๐Ÿคขa-ve a๐Ÿ˜๐Ÿคค๐Ÿคช๐Ÿ™‚l๐Ÿฅฐ๐Ÿ˜—๐Ÿ˜ถrea๐Ÿ˜š*๐Ÿ˜‹d๐Ÿ˜€@y expe๐Ÿ˜Œrien๐Ÿคญc\๐Ÿ™‚ed๐Ÿ˜‡๐Ÿ™ƒ the๐Ÿคฎ๐Ÿคซ% warped me๐Ÿ˜”๐Ÿ˜…๐Ÿ˜‹c.๐Ÿคฉ)hanics of$๐Ÿคฎ t๐Ÿคฅ๐Ÿ˜’๐Ÿคซ๐Ÿค—he)๐Ÿ˜…๐Ÿ˜‹ ๐Ÿค_๐Ÿ˜†situation๐Ÿ˜š๐Ÿคค an๐Ÿคค-d we may foc๐Ÿคซ๐Ÿ˜‘?:us once ๐Ÿ˜›$๐Ÿ˜™a+๐Ÿ˜’g๐Ÿ˜€๐Ÿฅฐ๐Ÿค’ ain on ๐Ÿคข๐Ÿ˜†the emotio๐Ÿ˜…-n$๐Ÿค•%=al im$pact it ๐Ÿคจ๐Ÿ˜ท๐Ÿค”has on Bergman's Irene๐Ÿ˜๐Ÿ˜š.๐Ÿ˜ฌ๐Ÿคค In +La _๐Ÿ˜๐Ÿค๐Ÿค”Paura t๐Ÿ˜…๐Ÿ˜‰reasons ar!๐Ÿคe ]๐Ÿ˜‘not imagin๐Ÿ˜…๐Ÿ˜”ed b:๐Ÿ™ƒ๐Ÿ˜†ut real,๐Ÿค•^ ` nightmares๐Ÿ˜` are deliberate ๐Ÿคค๐Ÿ˜™and the c๐Ÿ˜š ouple's venom suppura๐Ÿคค=)tes in b๐Ÿคจ๐Ÿ™„^?it๐Ÿ˜‚๐Ÿ˜‰๐Ÿ˜‹.ter๐Ÿ˜#๐Ÿ˜ช` ways. Need๐Ÿคญ๐Ÿ™‚๐Ÿ™„le๐Ÿคซ ๐Ÿคชss ๐Ÿ˜‰to say, In๐Ÿ™„=g๐Ÿ˜‡ ๐Ÿ˜€๐Ÿคจ๐Ÿ˜Œrid๐Ÿคจ๐Ÿ˜ฌ? ๐Ÿค”? (has@๐Ÿค— ๐Ÿค‘ another of *๐Ÿคขher r๐Ÿ˜’o๐Ÿ˜”๐Ÿ˜Šu@gh rides in๐Ÿ˜š$ ๐Ÿ˜š๐Ÿค‘:the movi:๐Ÿ˜e๐Ÿค—%๐Ÿ˜ท?s but Rossellini ๐Ÿ˜ถ๐Ÿค—+doe-sn't dar#e p๐Ÿ˜ถ๐Ÿค‘=ut he๐Ÿ˜ฌ๐Ÿ˜˜r a+\way as he did๐Ÿ˜‡] ๐Ÿ˜ฌ๐Ÿค—๐Ÿ˜i๐Ÿ˜ƒ๐Ÿ˜n= E?๐Ÿ˜‹uropa 51, nor does he a??๐Ÿคฅban)don her? ๐Ÿ˜‘๐Ÿ˜€๐Ÿ˜t[๐Ÿ˜’o the i-๐Ÿ˜š๐Ÿ™‚#nscru๐Ÿ˜Œ๐Ÿค•table impassivity of nature (Stromb๐Ÿ˜‚ol๐Ÿ˜™_๐Ÿ˜‘]i). His gift i๐Ÿคฉ๐Ÿ˜‘๐Ÿ˜ชs less [๐Ÿค‘๐Ÿคข๐Ÿ™‚๐Ÿคtr๐Ÿคญ๐Ÿ˜›anscende๐Ÿ˜‡๐Ÿคฎnt and fragile tha๐Ÿค’=๐Ÿ˜€n the c๐Ÿ˜‘`onclusi๐Ÿ˜Œ๐Ÿ˜๐Ÿ˜ฌ๐Ÿ˜˜o๐Ÿ˜๐Ÿค•n of Vi๐Ÿ˜‹.$agg๐Ÿ˜$io๐Ÿค’+: in )๐Ÿ˜‡๐Ÿค—[Italia. He ๐Ÿ˜‰๐Ÿ™‚ just give๐Ÿ˜๐Ÿคจ๐Ÿ˜ถs hi-๐Ÿคฅ๐Ÿ˜”s: ^ .๐Ÿคชwife as muc(๐Ÿ˜†๐Ÿคซh of a fairy tale ending as a real w๐Ÿ˜ƒ๐Ÿคขoman๐Ÿ˜๐Ÿ˜€ ca$ ๐Ÿ˜n have, a human la*๐Ÿ˜—๐Ÿคญndscap๐Ÿ˜…๐Ÿ˜๐Ÿ™„e whe๐Ÿ˜—^r`$e she+ can๐Ÿ˜†๐Ÿคฅ fi๐Ÿ˜˜๐Ÿ˜Œ๐Ÿคฃ๐Ÿ˜‘n/๐Ÿคฉally feel at๐Ÿ˜‚@+๐Ÿค— h]๐Ÿค‘ome. B๐Ÿ™ƒ๐Ÿ˜ช๐Ÿค‘ ack$๐Ÿ˜ด#๐Ÿ˜ท% ๐Ÿ˜๐Ÿ˜’t]๐Ÿคฅo the co๐Ÿค ๐Ÿ˜œuntry, a hal๐Ÿ˜‹`)๐Ÿ˜f lit in^๐Ÿ˜—ter,๐Ÿคญio๐Ÿ˜;r s๐Ÿคฅ)๐Ÿค’cene wh๐Ÿ˜๐Ÿค”๐Ÿ™‚๐Ÿคซ๐Ÿคere shadows su๐Ÿ˜ggest the comf/ort o๐Ÿ˜Š_f sleep. After al๐Ÿ˜l, ๐Ÿคจ๐Ÿ˜”๐Ÿ˜ชit'?๐Ÿค‘s the ๐Ÿ˜ท๐Ÿ˜!๐Ÿ˜€fairy godmoth๐Ÿ˜”๐Ÿ˜†๐Ÿ˜ƒ๐Ÿค—er wh(๐Ÿค๐Ÿ˜š๐Ÿ˜ทo spea๐Ÿ˜œ๐Ÿค‘๐Ÿค’ks the last๐Ÿ˜ words in the mo๐Ÿค•๐Ÿคจvie.
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