Due to s?๐ฌ^ome๐ ๐ฌ ๐๐=com-๐]mon interests between๐๐ฅฐ G๐๐_erm๐คฎ๐a๐คญ๐ค:๐ค๐n and Russian aristocracy ( t%๐ฌhe Ru๐!ssians๐๐คข๐ค๐ด ev๐คข _en๐ถ- ๐ค had aristoc๐ra=๐*t๐,% s in ๐๐๐ค๐ฌt\_(heir p๐คฎast๐๐ด not to ment๐ion they had ๐คฎ๐๐an E๐=m๐คข๐.๐:pr.๐ด๐)ess call๐คฃ๐๐๐คฉed Catherin๐ท e the ,๐ช๐ ๐๐๐คGreat+๐ฅฐ/, as/๐^๐คฃ great as t,๐his:!๐คญ๐ German coun๐t's heiress๐๐คes๐คจ ๐คฉ -โฆ ), it is not strange that๐ด๐ค๐คฎ๐ถ th๐:๐*is Teuto๐๐ ๐nic count has u๐๐$%ndersto๐คช๐คฉ๐ od and e๐[ven en ๐๐joyed Herr S๐ฅฐ๐. M. Eisenstein's S ๐๐คฅ๐คฃtaroye I Novoye.ใใIt is not very usual๐๐๐ค tha ๐คชt fo๐_r the aristoc๐๐ค๐คญra?๐๐cy to๐ enjo@๐๐:?y B๐ฌ๐]$๐ชol๐:%shevi st films ful๐๐l o๐ค๐/f)๐คค` ๐*^proletari+๐ฅฐ๐ an demands that put private property at r[๐คฅisk o๐๐คr a๐คค+^๐s ๐ *it ha ๐๐ท๐คppens in this #๐๐คcas๐ด๐คe,๐๐ a film about th==\๐คขe Comm๐ค๐คข;๐ดunist P๐:,@๐คคarty's policy on the sub๐ ject ๐คจ] of ]=๐ the collect`๐?i๐ฅฐ๐ค๐คvization of the ๐๐๐๐คฉSoviet agricu๐ ,๐ltur)๐๐e. Nor๐ถ๐คค+mal%๐ชly this would be /๐ค๐ค๐คฃperfe$`๐%ct g_*ibberish fo?๐๐คคr๐ถ๐ thi-๐คฎ s๐;๐ฅฐ German ?\$ .count, )๐but thanks to Herr Eise๐ค๐ค-nstein #('s gr๐)[ea_๐๐tness๐๐ค an$^d ๐ด?๐directoria+๐ถ๐l ta๐ท@le nt, th=e hard๐#๐ships of the heroine of the ๐คข๐คฅfilm, D- ๐คจame ๐คช๐?]M๐๐คฅ๐คค\arfa๐๐ถ๐ ( ๐ค.๐ Dame Marfa Lapkina ) breach๐ค@ed eve๐ด)n*-๐ค the๐ค๐๐ thick aristo๐,crat*๐คญ๐๐๐คic Sch๐๐ฅฐ [los๐ถ.๐คฉs walls.ใใAnd that's one ๐๐คof the ๐๐f๐๐คค๐ ๐คคir ?st remark,able aspects ๐%of _@ this oeuvre]; in spite of th) ๐e๐ถ๐๐ *pol๐คฃ๐คญi!tical s๐๐๐คu!๐/bject o:๐f ๐`_ ๐คฉ๐th๐ ๐e ๐คจf๐ ilm, the pow๐๐๐+erful๐๐#@ ima\,๐คges and lyricism ( a๐๐ s t onishing and! beaut๐คค๐๐iful shot compositi๐[๐ons ), espec?๐๐คฉ๐i%ally du๐r๐ค๐/i๐คng the ๐๐ค first part of t@ ๐๐h๐คฃ๐คฉe mov๐ฌ]๐ฌ;-ie๐ ๐คซ๐ , preser_๐v๐ค ๐คe ๐ค]th[e ๐ artistic m๐erits entirely whi ๐ le ๐ser๐๐ฌ@ving๐ค๐ช๐ ๐ค)๐ฅฐ๐a๐๐ propaganda purpo..๐คคse. The๐คฎ`๐๐ค๐ second remarkab ๐!le asp๐@๐ect of@๐ท- the fil=๐ถ๐m is the ๐คฅ?๐ค๐d๐คจ?๐icho๐คซ๐คt๐ฌ๐ถ-om๐ค๐ ๐คชy๐๐ค be๐tween๐ the๐ old and๐๐๐) new, th๐คซ๐คคe fight๐คฅ-๐๐ท to im[@๐๐คฅ๐คญpro๐ ๐ถve the lo t of ๐คซ;๐=๐Dam% e ๐คฉ๐[ Marfa a#๐คฎnd๐ her๐ฅฐ๐ช๐ฌ co๐๐คข๐unt=๐rym๐/en. There@ are many d๐ค๐๐ทis๐ค๐๐c๐๐ ussions bec)๐ช๐au๐๐s๐=e it is no๐คข`-๐t e-๐๐ asy e๐ฌ)ven in Russi ๐๐.a to chang๐e $*๐คจ๐anc๐คฃ๐๐คฉ๐ถ๐ient and conserv๐๐คซ๐/ a)๐คซtive๐ฅฐ ๐คญ๐[custo๐๐คค๐ms. The`๐ฅฐre are s๐ฌ๐ด\uper `b met=๐aphors and ๐คจ๐๐ s o#๐๐cial c๐๐ชri??ticism =๐ช( illiteracy, bureauc%racy ๐, reli -#gio๐๐ sity ) ,๐ค=whi,๐ค?c๐h ๐คค๐ ๐คคperfe๐\๐ctl๐?y fit t he film, and las๐๐t =but ๐๐not le ๐ถ๐คญast, Staroye I Nov ๐๐oye, is a๐ ๐คจ๐ค kind-๐๐ท of๐คซ๐๐ a๐ค๐๐คฅ rchaic docum๐๐ent๐%๐คข๐๐ar๐๐คค#y about anci๐๐คจ๐ท๐ent customs establi๐คจ๐๐shed d๐๐ค๐.eeply in old๐คฅ๐คญ Rus๐๐ถsi!a,๐: those๐ ones that our heroin ๐ฌe must figh๐๐t again))st. And .๐ค๐ดt$๐คฉ๐๐/here is als; o a ๐lo๐คญ๐คขt ๐-about agricultur!/๐คฅ๐e ( ve๐ ๐คซ.ry ๐!๐คจ enlightening for this๐๐ G๐๐คซerman count), espe๐๐ci๐ฅฐal๐ฅฐly a๐๐คช๐คฃ๐bout ๐!๐คฎharv๐esti๐๐๐ng an-๐คd how to f๐คจ-%a๐๐คจ๐]๐tten Ru ๐คssia๐๐?n?๐ค cow๐คซ๐๐๐s or pi๐ค๐คฎgs ( literally, ๐ถ๐ค no pun hereโฆ ).ใใHerr ๐E๐คฃ๐ (+isenstei๐ค%๐n [had๐ค to bear during the last er_๐;a of his fil:^m ๐คจcar๐คญ๐คจ(e๐คer, unbelievabl๐`?e c ๐ensorshi๐p ๐คจ and m๐@u tilation of:$= his๐]๐ถ๐คฃ๐ ๐work, as h๐๐ค๐ap๐pen๐๐]s with๐คจ_;๐ค Staroye๐คฎ:๐ช I ?๐คช๐๐คNo ๐voye. The film wa๐คซs re๐)๐_edite๐๐ ๐คซ๐คคd and E๐%+๐i๐คจ๐senstei๐คจ๐@n a๐$๐ ccused of symp๐..๐athi๐๐๐๐zing w๐;๐ith Tr ๐๐ฌ๐คญos๐๐ฌ๐คฅt๐@๐๐คky's๐๐ช# polic#๐ies but]๐)๐๐ fortunat๐\๐el๐_\๐y the film was ๐๐% restored a๐ชnd s#๐๐howed by ๐๐๐คthe๐ฌ/๐คข German-fre๐๐๐๐nchified t.v. channel ARTE ๐ ,-๐ค nat ๐คช๐คซรผrl๐คich!, including a๐ค๐ ๐คฎn evocati๐คฎ[@๐คญve mu๐ค๐ท\sic )%\๐s=core by Herr Taras Bujews๐คขki.(, th๐คญ(๐๐ดat fits ๐๐ฌ๐ช.superbly Herr Ei๐ฅฐ?๐senst ein pri ๐ถ๐คmal a\๐!๐คฉrti๐ค๐sti(c intere๐ st๐ฅฐ๐_๐ท`s.ใใAnd no๐ช๐w, if ๐๐you'll all๐๐คญ(๐ดow m %$e, I+$๐ถ must t๐คฃempo+#rarily tak๐ค๐คฅ๐ e (๐๐๐my leave b๐๐ฅฐ๐ค๐ชecause this German Cou๐คฉ๐ทnt must buy a๐ฌ tractor f๐ค#๐*or o?๐๐คฉ๐๐ชne of his Te_#u๐๐$to๐๐ดnic hei๐ฌ. ress.
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